Sep
03

Today’s card is for the Free For All Challenge at SCS – which calls for creating something with an aviary theme – birds, winged things, feathers, etc and to use one color that you don’t normally use.  Here is my entry:

The two background panels are stamped with Memento London Fog on PTI’s soft stone paper with PTI’s diamond background and script images.  The butterflies (from Sweet N  Sassy) were stamped and colored with copics cut out and popped up on the script panel.

The yellow background mats are really white cardstock edged with a yellow copic marker.

Now  – about the ribbon accent.  No, I did not have ribbons that matched perfectly with the copic markers – I made them match!  I took narrow ivory satin ribbon and colored three strips with yellow,  green and blue copics in the same shades I used on the butterflies.

So – the butterfly image fulfills the aviary part of the challenge.  The color I don’t use very often?  Yellow, and the soft stone paper.  I liked the look of the paper when I first got it, but now it doesn’t seem to go well with alot of what I do, so this really was a challenge for me!

Published!

One of the goals I had for myself at the start of the year was to submit more items for publications with the hope of being published.  I am so happy to report that a card of mine is featured in the current issue of Through The Craft Room Door!    I won’t be able to post it here for few months, but I do hope you will take a look at the publication (here).     

Thanks so much for stopping by today!

Sep
02

That is today’s challenge on SCS.  Take a sheet of cardstock and make a card.  The intent is to get back to the purity of just stamps and ink and that is what I used here.  One sheet of cardstock, two stamps, embossing powder and alot of ink!

The paper – just plain white cardstock!  I knew white would be perfect for this challenge because you can make it any color, so I just started experimenting and came up with this rich color combo:  Cantaloupe and Dandelion  from Memento and Rich Razzleberry from SU.  who knew those colors would go together so well?

The main panel was stamped and embossed in white (the image from StarvingArtistamps).  I sponged Dandelion ink in the center, Cantaloupe around that and edged with Razzleberry.  This panel was mounted on a piece of white cardstock that was edged in Razzleberry.

The base card was inked in the same manner.  The script text image is from Papertrey and stamped in Razzleberry. 

I did not have any matching ribbon, but I did have some paper left so I colored it with Razzleberry and cut a strip to place above the text and a little piece to place on the top of the main panel.

I’m very happy with how it turned out – especially the colors!

Thanks for stopping by today!

Aug
30

One of the first techniques you learn as a stamper is masking.  Masking is making a duplicate image of a stamp on a piece of paper (usually a post it note or product made specifically for masking) and placing it over the original stamped image to “mask” or protect and preserve the original so that you can stamp other images in the background.

Making masks with post-it notes or similar products is fine for many images, but what if you have a detailed image or one that is very intricate?   It can be almost impossible to cut a mask out of paper – at the very least rather time consuming.

 In these cases you may want to use a liquid mask product, such as the Windsor and Newton product shown here.   To apply this product you simply brush the material over your stamped image and allow it to dry.  Be sure to have a container of soapy water handy to place your brushes in.  You do not want the masking fluid to dry on your brush!

 Once the liquid mask is dried, you can stamp, paint or watercolor over it.  When you are finished the mask material is removed by using a soft eraser.  Here is my example of how I used this product.

I stamped the cherry image on white cardstock that had been cut out with a square nestability die –  and I want to airbrush color into the background.  As you can see it is a rather detailed image especially around the stems – making a traditional mask difficult.

Using a small brush I applied the mask product over the images – the longest part is waiting for the mask to dry!  Down here in humid Florida it takes a little longer, so when I am using this technique I usually have other projects to work on while this is drying.  I this case it took about 15 minutes to dry.  It’s kind of hard to see the mask fluid on the image – it’s a bit yellow here.

Once the  masking fluid has dried I placed the paper back into the nestability die and apply light blue ink with an airbrush and copic marker. 

Now that the airbrushing is completed, I remove the mask by using a soft eraser.  In this photo I’ve erased the left hand portion of the mask, while the right portion remains un-erased.

All that is left now is to color in the cherries, add a sentiment and assemble the card!  I mounted the stamped panel on red, then on a black scalloped panel.  Black sheer polka dot ribbon is the only embellishment.  I thought I had some black gingham ribbon, but I must have used it all, and the new striped SU ribbon would also look nice – if I had some – but in the end I kept the card clean and simple and the polka dot ribbon worked well here.

Thanks for stopping by today!

Aug
24

Just a little something clean and simple to start the school year.  Things have changed a bit since I rolled on that school bus.  Growing up we started our school just after Labor Day, but here in Florida some schools started last week!

The card uses digital images from DeeDee’s Digi’s.  The school bus was colored with copics – aren’t those animals in the windows cute?  The street was easily done by cutting a strip of black cardstock and making white lines with a signo pen.

Thanks for stopping by today!

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